Neferneferuaten:
Glorious is the Splendour of the Sun
Neferneferuaten cartouche
By Robin Gordon

Auksford crest: a great auk displaying an open book showing the words "Ex ovo sapientia"
Auksford 2024

©
Copyright
Robin Gordon, 2024


PART V:
NEBKHEPERURE

24.  The funeral of a beloved King

    The time had come for the installation of the King’s sarcophagus.  It was dragged into the Valley of the Kings on a sledge, slid on ramps down the stairs, but it stuck and some of the lower steps had to be cut away before it could be brought into the antechamber.
    Ay’s overseers urged the workmen on, but there was another crisis.  The sarcophagus was too big to fit through the doorway into the burial chamber.  The overseers, now frantic to avoid Ay’s rage, screamed at the workmen to hack away part of the wall, promising them rewards if it were done quickly and dire punishments if the delay in the installation delayed the funeral ceremonies.
    The doorway was widened and the heavy sarcophagus lowered into the burial chamber.  It would have been easier with longer ramps, but there was not enough room.  Still the workman managed it, and did so without damaging their beloved King’s sarcophagus.  It’s cracked lid was then caried into the anteroom and leaned against the north end of the east wall.
A message is taken to Ay, waiting impatiently at Tutankhamun’s funerary temple, that the tomb is ready.  He orders the procession to start.
    The trumpets blare and the soldiers begin a slow march towards the Valley.  Too slow in Ay’s opinion, but there are still several days before Horemheb is expected.  The soldiers are followed by a procession of priests, some carrying the shrine of Anapau, but the statue of the god is not in the shrine, for it has already been set up in the treasury to guard the King’s digestive organs.  Behind the empty shrine comes the Lord Ay, borne in a carrying chair and holding the adze with which he will perform the ceremony of the Opening of the Mouth.  Behind Ay comes the linen-wrapped body of the King, lying on the lion-headed embalming bier, which is drawn by the great officers of state.  The shrine containing the jars with the King’s organs should come next, but it is already in the treasury under the guard of Anapau.  It is the wrong way round in the tomb, but, though this has been reported to one of Ay’s overseers, he has ordered that no attempt be made to get in and correct its position and neglected to pass on the report to Ay.  Finally come the three great couches, the chariots drawn by horses and the many other treasures that will fill the tomb.
    There are no Muu-dancers, and no time is wasted visiting the ritual places.  The procession heads straight to the tomb.
    On arrival the officers of state relinquish the sledge, the King’s body is raised upright, and Ay performs the ceremony of the Opening of the Mouth.  The King’s body is then placed in his solid gold coffin and the funerary mask placed over his face.  Unguents are then splashed carefully onto his wrappings.
    “Faster!” snaps Ay, and one of his men grabs the ointment pot from the priest and tips it over the body.  The priests then spread a pall over the King, the craftsmen place the lid in position and seal it with gold pins that fit into the tenons.  Strips of course linen are already in place under the gold coffin.  The workmen use them to raise it and lower it into the first of the wooden coffins, the one made for the King’s father, King Neferkheperure-Waenre-Akhenaten.  The linen bands are then pulled out, and Ay’s overseers, who have taken over the unguent pots, slosh more over the gold coffin and throw in the dried flowers and fruit brought by the funerary priests from their store of ritual necessities.
    The middle coffin is sealed then lowered into the outer coffin using linen strips which are then removed.  More unguents are sloshed in, more dried flowers thrown in, the middle coffin covered with a fine linen sheet and the outer coffin sealed.
The outer coffin has handles.  Ropes are attached, then it is hauled into the tomb, manhandled across the antechamber, hoisted up ramp to the top of the sarcophagus and lowered in.  The lid of the sarcophagus is then carried in from the antechamber and hoisted into position.  The beautiful yellow quartzite sarcophagus was to have had a domed quartzite lid, but the one Ay has ordered for use is a flat slab of red sandstone with a crack.  It won’t close over the feet of the outer coffin.
    “I told the Lord Ay we needed a domed lid,” said the chief sculptor, “but he wouldn’t listen.”
    “Well, what are you going to do about it?” snarled one of Ay’s overseers.  “It’s your responsibility.”
    “But …”
    “Don’t waste our time,” snapped the overseer and turned to the workmen.  “Hack the feet of the coffin,” he ordered.  “Hack off as much as you need to get the lid to fit.  What are you waiting for?  Do you want me to tell Lord Ay, the next King, that you refused to carry out his orders?”
    The workmen took adzes and hacked the feet off the coffin, then they hauled the sandstone slab up again and fitted it into place.
    “Carpenters, get those shrines set up,” shouted the overseer, and went outside to report to Ay that the late King was safely sealed up in his sarcophagus.
    The priests and soldiers were dismissed along with the various courtiers.  Ay, the two viziers and five of his closest allies, including, of course, General Nakhtmin, sat down to the ritual funeral meal while inside the tomb the carpenters set about erecting the shrines.
    The carpenters soon discovered a problem.  The workmen who had carried in the walls of the shrines had left the north walls in the antechamber and leaned the south walls against the north wall of the burial chamber.  The east and west walls were also reversed.  The doors which should allow the King’s akh to go westward into the Afterlife faced east.  The overseer of the carpenters insisted that this should be reported to Ay and accompanied Ay’s man to the feast, where Ay, now in high good humour at the success of his rapid burial of Tutankhamun, happily explained to the chief carpenter that, since that late King was the son of the heretic Neferkheperure-Waenre-Akhenaten, he would accept, like his father, that his spirit should travel east towards the rising son, that, in any case, though the doorways of Kings’ shrines led to the west, they opened onto solid rock, so it was clear that the spirits of the dead could travel through anything however solid, and therefore that they could move in any direction they pleased.
    The chief carpenter then expressed a worry that the shrines might not fit together properly as they had been made to fit closely around the sarcophagus and were now reversed.  Ay’s good-humoured patience ended suddenly.
    “You will make them fit together,” he snapped, “and if there is any further delay I shall have you whipped and dismissed.   Do you understand?”
    “Yes, my Lord”
    “Yes, Your Majesty!” honked Ay.  “Now that that boy is safely buried, I am King!”
    “Yes, Your Majesty,” gabbled the carpenter, bowing and backing away.

    The carpenters found the erection of the shrines a difficult business.  There was very little room to move.  The innermost shrine was designed to fit closely round the sarcophagus with only an eighth of an inch to spare.  The sarcophagus must have been just about that much out of true, so the sides had to be forced together.  Bringing in the fourth wall was difficult, and two of the carpenters had to stand on the sarcophagus to haul the roof of the shrine.  The crack suddenly widened and they scrambled off.
    The second shrine was even more difficult.  The carpenters had to bash it to get the parts to join.  They grumbled.  They had created a beautiful piece of work, and now they were obliged to treat it roughly, to bash it with mallets and damage it in places.  Their chief urged them on.  The new King wanted it done.  The only way to do it perfectly would be to have the whole sarcophagus removed so that the shrines could be taken out and brought back in in the right order.  That was plainly impossible.  The walls of the shrines had to be fitted together by force, and no-one would see the damage.  The King, they felt must be protected.  They could not leave gaps.
    The roofs of all the shrines apart from the innermost were in sections.  They could be moved more easily into place, but even so, with Ay’s overseers harrying them, one section was put in the wrong way round, and the overseers would not let the craftsmen take it out and turn it around.
    As soon as the final shrine was banged into position the overseers hustled the carpenters out, called in the plasterers and ordered them to set to work on plastering the walls of the burial chamber.  The plasterers’ overseer refused.
    “It’s getting late,” he said.  “We can’t start now.”
    “What difference does it make?” said Ay’s overseer.  “The tomb is dark.  You have to work by torchlight.  Day or night makes no difference.”
    The chief plasterer held firm.  “My men have been working all day,” he said, “and now they need to eat and to sleep.  We’ll start first thing tomorrow morning.”
    “His Majesty, the Lord Ay will not be pleased.  He wants the plastering and painting done as soon as possible.”
    “If you make men work while they are half asleep they will make mistakes,” said the chief plasterer, “and then it will take longer to put them right than if you had let them rest.  Haven’t you heard the proverb: an overhasty step brings a man to a nasty fall?”
    The overseer had to agree.  The plasterers started work next morning, and the anteroom had to be left clear for them.  The annexe, however, could be loaded, and Ay’s overseers kept their workman hard at it till late evening.
    As soon as the plasterers had finished their work Ay’s overseers ordered them out and summoned the painters.  The overseer of painters objected that they could not possibly paint on wet plaster, so there was some further delay, and the plaster was not completely dry when the painting started.  The painters had their instructions.  The decoration of the burial chamber was kept simple with large-scale pictures that could be finished quickly, and the most important scene was one they had never before had to include in a royal burial.  It showed the Lord Ay using an adze to perform the Ceremony of the Opening of the Mouth on the mummified corpse of King Nebkheperure-Tutankhamun.

The Opening of the Mouth



Please remember that this story is copyright.
See Copyright and Concessions for permitted uses.

25.  Coronation

Neferneferuaten Index

Robin Gordon Index

Auksford Index

E-mail: robingordon.auksford@gmail.com